UK Mills & Boon Anthology
ISBN 10: 0263887367
ISBN
13: 978-0263887365
The Vanishing Viscountess
January 2008 in North America and the UK
A woman of innocence and notoriety...
The prisoner stood with an expression of defiance, leather shackles on her wrists. Adam Vickery, Marquess of Tannerton, was drawn to this woman, so dignified in her plight. He didn’t recognize her as the once innocent, hopeful debutante he had danced with long years ago.
Marlena Parronley, the notorious Vanishing Viscountess, was a fugitive. Seeing the dashing, carefree marquess of her dreams just reminded her that she
couldn’t risk letting anyone, especially Tanner, get caught up in helping her escape. He would face the same punishment she did. The hangman’s noose.
• Chapter
One • October, 1818
The gale roared like a wild beast. Under its savage attack, the ship creaked and moaned and begged for mercy. Shouts of the crew echoed the ship’s distress as men struggled to work the pumps and save the rigging.
Adam Vickery, the Marquess of Tannerton, or Tanner, as he was known to his friends, sat with the other passengers in the packet ship’s cuddy awaiting his demise. He remained still, arms crossed over his chest, eyes closed, reviewing his life.
He found it wanting. He’d left no mark on the world, no son to inherit his title and lands, no child to carry on his bloodline. All he had done was maintain what his father, grandfather, great-grandfather, and all the Marquesses of Tannerton had built. If he were truly honest with himself, he would say he’d not even done the maintaining. Other men did that work for him: His estate managers, men of business, and secretaries. They toiled while Tanner enjoyed his gaming, his sport, his women.
A loud crack sounded and a thud on the deck shook the whole ship. A woman wailed. Tanner opened his eyes to see the woman clutching an infant and a small boy to her breast. The cabin was filled with many women like her, shaking in fear, and men, like Tanner himself, cursing their helplessness. There was no way to stop the storm, no way to calm the sea, no way to hold the timbers of the ship together.
His gaze fell on one woman who neither wailed nor cowered from the storm. With an expression of defiance rather than fear, she stood next to a Bow Street Runner, leather shackles on her wrists, obviously his prisoner. Only a few hours ago, at the beginning of this voyage from Dublin to Holyhead, Tanner’s gaze had been drawn to her, so dignified in her plight. What crime had she committed to warrant her escort from Ireland? He’d been too blue-deviled to bother inquiring about her, however. Now he wished he’d spoken to her, or at least smiled at her. She seemed every bit as alone as he.
When the winds began their fierce assault, the first mate had gathered all the passengers into this cabin. He’d told them they were close to the Anglesey coast. Of course, the Anglesey coast could be rocky and treacherous, although the man neglected to mention that part.
What could be worse? Tanner wondered. Plunging into the cold depths of the Irish Sea? Or being dashed upon some craggy rocks?
Either would mean death.
The first mate popped in a second time when the storm intensified. “All will be well,” he reassured them. None of the passengers believed him. Tanner could see it in their eyes. He felt it in his own soul. Tanner watched a man remove a miniature from his pocket and stare at it, a portrait of a loved one he would never see again, of someone who would soon be grieving.
Who would grieve for the Marquess of Tannerton? His friend Pomroy would likely drink a toast to his memory now and then. A mistress or two might consider him a fond memory. Perhaps the Duke of Clarence or even the Regent himself might recall him after the space of a year or two, but more likely not. Algernon, his fribble of a cousin, would be terrified at the prospect of inheriting the lofty title and its responsibilities. Tanner rubbed his face, regretting he’d never taken Algernon in tow and taught him how easy it all was. Algernon could busy himself with purchasing new coats or the latest fashion in boots or all the watch fobs and stick pins he fancied.
The Bow Street runner began pacing, Tanner noticed, and the prisoner flashed the man an undisguised look of contempt.
Would she have anyone to mourn her?
She stood with her chin high and her startling blue eyes vigilant. He disliked thinking of what the sea would do to her, turning her body all bloated and white.
He glanced away, shaking that horrible image from his mind, but no matter where he looked, his eyes were drawn back to her.
She was tall and slender, with the same dark hair and piercing blue eyes of the woman who’d briefly captivated him a year ago. That was where the resemblance ended, however. Rose O’Keefe had made the right choice when she’d chosen Tanner’s former secretary, Jameson Flynn, over Tanner himself. Flynn offered the Vauxhall singer marriage, something Tanner would never have done. Flynn had also loved her.
Tanner laughed inwardly at the irony of it all. The secretary preferred over the marquess. He could not muster any resentment, however. Rose had picked the better man.
He frowned and bowed his head. Tanner’s zeal had not been to love Rose, but to outwit another rival for her favors. Three people died as a result. Three lives on his conscience because of his heedless selfishness.
Purchasing the Dublin theatre for Flynn and Rose did not make amends for the destruction Tanner had set in motion, but it did give Flynn and Rose the means to a new life. That was the very least Tanner could do. He’d traveled to Dublin for their opening performance, and now he was crossing the Irish Sea again, heading back to England on this Holyhead packet.
The ship had been scheduled to land hours ago, but the storm stalled them and now the day was late. He pulled his timepiece from his pocket. It was near nine p.m.
Another shuddering crash came from above. Tanner stuffed his watch back into his pocket and glanced at the prisoner. Her eyes flashed with alarm. Tanner could not blame her. Her life--and his own empty one--appeared to be edging toward the end.
The cabin door sprang open and the first mate, drenched and dripping onto the wooden floor, yelled, “Everyone on deck! To the boats. Women and children first.”
The death knell. The captain no longer expected the ship to remain intact. It was time to risk the lives of the women and children in the small boats.
There were quick anguished embraces as good-byes were tearfully said. Panicked men tried to push in front of mothers clasping the hands of terrified children. Tanner rushed forward and pulled the men back. He used his stature and strength to keep the way clear. The prisoner was the last woman out the door, her Bow Street runner pushing her on, his hand firmly clamped around her arm. The man could have at least untied her shackles. What could it matter now? At least allow her to die free.
Tanner was the last person on deck. As he stepped out into the air, the rain sliced into him like knife blades, the wind whipping in all directions. The ship’s masts no longer stood tall and proud, but now lay like snapped twigs on the deck. The sails, now in tatters, resembled nothing more than rags flapping haphazardly in the tempest. Tanner stepped over pieces of wood, remnants of sails and other debris. A loose barrel rolled toward him. He jumped aside, nearly loosing his footing on the slick surface of the deck. More than once he had to grab hold of whatever was near to keep from falling.
Tanner pushed his way through to where the women and children were being loaded into boats. Although he feared the effort futile, Tanner pitched in, helping lift women and children over the side of the ship to crewmen waiting in the boats. Lightning flashed, illuminating the shadow of the shore, so distant when the sea churned like a cauldron, violently pitching the ship. The boat’s fragile passengers would have a treacherous ride.
Let these people survive, he prayed.
He lifted a child into waiting arms and her mother after her. This was the last boat, and the crewmen manning it were already starting to lower it to the sea. Tanner reached for the woman prisoner, who, outwardly calm and patient, had held back so the others could go before her. Tanner scooped her into his arms to lift her over the side, but, at that same moment, the Bow Street runner shoved them both, knocking them to the deck, jumping into the boat in her place. Tanner scrambled to his feet, but it was too late. The boat had hit the water, the crewmen rowing fast to get it away.
“Bastard!” Tanner cried. In the howling wind, he could barely hear his own words.
The prisoner’s eyes blazed with fury and fear. She struggled to stand. Tanner grabbed her arm and pulled her to her feet.
“The ship’s going to break apart!” the first mate cried, running by them.
Tanner glanced wildly around. Some of the crew were lashing themselves to pieces of mast.
“Come on,” he shouted to the woman, pulling her along with him.
Tanner grabbed rope from the rigging and tied her to a piece of broken mast. He would be damned if that scoundrel Bow Street runner survived and she did not. He lashed himself next to her, wrapping one arm around her and the other around the mast. The ship slammed into rocks, sending them, mast and all, skittering across the deck.
The vessel groaned, then broke apart in a cacophony of cracks and crashes and splintering wood. Their piece of mast flew into the air like a shuttlecock, the wind suspending them for several moments before plunging them into the churning water.
The impact stunned Tanner, but the shock of the needle-sharp cold roused him again. The howling of the wind, the hissing of the rain, the screams of their shipmates suddenly dulled to a muffled growl. The water was inky black and Tanner had no idea which way was up, but his arm was still around the woman. He had not lost her.
Their wooden mast began rising as if it, too, fought to reach the surface. Tanner kicked with all his strength, his lungs burning with the urge to take a breath.
When they broke the surface of the water it was almost as great a shock as plunging into its depths. Tanner gulped for air. To his relief, he heard the woman do the same. She had survived.
Then a wave crashed over them and drove them forward. Tanner sucked in a quick gulp of air before they went under. Again they resurfaced and were pushed forward and under once more.
When they popped to the surface, Tanner had time to yell, “Are you hurt?”
“No,” she cried.
He tightened his grip on her as another wave hit. If the sea did not swallow them, the cold would surely kill them.
Or the rocks.
This wave thrust them further. Through the sheen of rain and sea, Tanner glimpsed the coast, but jagged rocks lay between, jutting up from the water like pointed teeth. Another wave pelted them, then another. The ropes loosened and were washed away. The woman’s grip slipped from the mast. Tanner could hold onto the mast or the woman. He held onto the woman.
Her skirts were dragging them down and her bound wrists made it hard for her to swim. Tanner kicked hard to keep them above the water, only to see the rocks coming closer. He swiveled around to see if other survivors were near them, but not a soul was visible. No one to help them. No one to see. Perhaps no one to survive.
The next wave drove them into one of the rocks. She cried out as they hit. Another wave dashed them into another rock. Tanner tried to take the blows instead of her, but the water stirred them too fast. He lost feeling in his arms and legs and he feared he would lose his grip on her.
Not another death on his conscience. Tanner could not bear it. God, help me save her, he prayed. Help me do something worthwhile. One last bloody something worthwhile.
He slammed into a jagged rock and everything went black.
When Tanner opened his eyes, he felt cold wet sand against his cheek. He could see the water lapping the shoreline inches from his face. Its waves sounded in his ears, and whitecaps seemed to wink at him. There was hard ground beneath him, however. Hard solid ground.
The woman! He’d lost her. Let go of her, damn him. Despair engulfed him as surely as had the Irish Sea. His limbs felt heavy as iron and his soul ached with guilt. He’d let go of her.
A light glowed around him, bobbing then coming to a stop.
Suddenly someone’s hands were upon him, rough hands digging into
his clothes, searching his pockets.
He seized one of the groping hands, and his attacker pulled him upright, trying to break free. Tanner’s grip slipped and he fell back onto the sand. The man advanced on him, kicking him in the ribs. Tanner rolled away, trying to escape the blows, but the man kicked him again.
“Your money,” the man snarled as he kicked him once more. “I want your money.”
Every English coast abounded with wreckers, people who flocked
to the shore eager to see a ship founder, so they could seize
whatever bounty that washed ashore. Tanner had never thought to meet one.
Tanner curled himself against the onslaught of the man’s boot, as he struck again and again. A loud thwack sounded
and the man collapsed atop him. Tanner shoved him off and
sat up.
The woman stood above him, a long piece of wood, part of the ship, no doubt, in her trembling, still shackled hands.
Marlena Parronley stared at the prone figure, the brute who had so violently attacked her rescuer, the Marquess of Tannerton. She’d hit the villain with all her remaining strength.
The Vanishing Viscountess is the Marquess of Tannerton’s story. When
Tanner first burst onto the pages of Innocence and Impropriety, he threatened
to take over the story until I promised him his own book. One of Tanner’s
characteristics was that he thought his money, title, and connections could
solve all problems. In his own story, I knew I wanted to strip him of those
trappings and make him survive using his wits and resourcefulness.
I gave Tanner a damsel in distress, a fugitive from the law, the Vanishing
Viscountess, Marlena Parronley, unjustly accused of murder and on the run.
Tanner rescues her from a shipwreck and insists upon escorting her to safety
in Scotland. Tanner and Marlena must travel across Great Britain from the
Anglesey coast to Edinburgh, Scotland without Tanner’s use of his title,
his connections, or his wealth.
Little did I realize I was conceiving a Road Story. Usually my books are
set in one or two places, but in a Road Story, the setting changes
multiple times. I needed to take Tanner and Marlena over terrain
I had never traveled and never researched. My friend, author Delle
Jacobs provided
me with the actual coaching route of the time period, and Jo
Beverley suggested the means of travel--horseback.
But I needed more.
I needed Google Maps. Google Maps allowed me to discover routes
paralleling the well-traveled coaching roads. It gave me the
mileage between places so that I set a realistic pace for Tanner
and Marlena. Google Maps allowed me to find locations along the
way for Tanner and Marlena to spend the night together as they
came closer and closer to their final destination.
I used Google Maps to discover the names of villages along the way, villages
I could research to see if they would work in the story. Most of the towns
or villages Tanner and Marlena stayed were real towns, and in some cases
the inns in which Tanner and Marlena stayed still exist. When I resorted
to fictitious places, I used real sources upon which to model them. The hybrid
feature of Google Maps even allowed me to check the terrain, and sometims
showed the actual satellite imagery of the towns I explored for Tanner and
Marlena.
Here is the result of my Google Maps exploration, the actual road trip Tanner
and Marlena took: The Road Trip from The Vanishing
Viscountess by Diane Gaston.
Start with the placemark closest to Holyhead on the Anglesey coast and follow
the route, step by step. Clicking on the placemarks will provide details
of Tanner and Marlena’s trip.
Plotting a Road Story became easy with Google Maps... and tremendous fun,
as well. Look for an article about The Vanishing Viscountess Road
Trip in the January 2008 Romantic
Times BOOK Reviews. Check
out The Vanishing Viscountess ad in that issue,
too.
A Cover Story
Judy York, romance and fantasy illustrator and the bookcover artist for The Vanishing Viscountess, is featured in Cover Story, the Barnes & Noble mini-documentary series which takes a look behind the covers of your favorite books. Watch the episode below.
The
Vanishing Viscountess was selected by Mills
& Boon to
be featured in their Centenary Program celebrating 100 years of publishing. (Posted July 2007)
:: Recommended
Read! “Gaston has once again spun the most perfectly delicious
winning tale of romance with captivating characters, paired with an adventuresome
journey. The readers’ attention will be snared from the first
page to the edge of the seat exhilarating end. Bravo, Ms. Gaston
with this latest charmer!” — Marilyn
Rondeau, CK’s Kwips and Kritiques (read the whole
review)
:: “Ms. Gaston has a way of painting
a scene with her words—the description of the shipwreck leaves the
reader with a vivid impression of the danger. She has way of grabbing
your attention and making you feel the emotion of the characters.” —Leanne
Davis, Fresh Fiction(read the whole
review)
:: “The Vanishing
Viscountess is a well written story that has all the elements
of an exciting and romantic adventure.... Diane Gaston is
without a doubt one of the greats of the genre.” — Sylvia
Cochran, Roundtable Reviews
:: “The Vanishing
Viscountess is an unforgettable romance expertly spiced with adventure
and passion.” — John Charles, Chicago
Tribune(read the whole
review)
:: 4.5 Stars! “Taking
us back into the world created in Innocence
and Impropriety, Diane Gaston has
penned another delightful tale for our reading pleasure with
The Vanishing Viscountess... Looking for
a book with passion, love, action, danger and surprises?
Look no further; The
Vanishing Viscountess is perfect for you. Diane
Gaston will grab your emotion with this one.” — Debby
Guyette, Cataromance (read the whole
review)
:: “The Vanishing
Viscountess ...something
different from a staid London Season or a spy nobleman plot.” — Jayne,
Dear Author (read the whole
review)
:: “With its sensuality and some
nice touches of emotional intensity, this is a pleasant and entertaining
read.” — Joan Hammond, Romantic Times BOOKreviews (read the whole
review)
:: “Diane Gaston, a marvelous author
spinning a tale of drama, intrigue, secrecy and love in The
Vanishing Viscountess... This is a beautiful
story. It has all of the elements you hope for in a romance. From
the first page to the last the story wraps itself around you like
a warm blanket encouraging you to trust it just enough to warm you
even when you have that brief cold moment of doubt. I would absolutely
recommend this book to anyone who loves a good historical regency
novel or to anyone who loves a bit of a lusty drama and the triumph
of the underdog. I know I do! This is the first Diane Gaston novel
I've read, but it certainly won't be my last. ” — Christine
Shoup, Rakehell (read the whole
review)
:: “In The
Mysterious Miss M,
Diane Gaston showed great poignancy. In The
Improper Wife, writing
under the pseudonym Diane Perkins, the author displayed humor and
sensitivity. In her latest release, Ms. Gaston decides to try her
hand at a road romance and success is The Vanishing
Viscountess! This
reader has long enjoyed road romance, simply because the hero and
heroine spend a significant amount of time together. En route from
one locale to another, the couple is forced to work on a relationship
through danger and isolation. If done properly, the hero and heroine
appear to be the only ones on the page. In The Vanishing
Viscountess,
Diane Gaston sticks to this formula, yet quietly attaches sub-plots
and ties the entire package together beautifully.” — MaryGrace
Meloche, Regency Romance Writers, A Romance Designs Community (read
the whole
review)
:: “Diane Gaston’s The
Vanishing Viscountess is a suspense-adventure story wrapped around many of the Regency
Romance elements so many of us love. The love that arises between Tanner
and Marlena seems both pointless and hopeless when Marlena faces hanging
if she is ever captured. Both characters will attract you with their past
luggage, current resourcefulness, and their loving care of each other during
their trip. There are two sub-plots interwoven with the main characters'
travails that add depth and understanding to the situation. These story
threads all come together in a perilously climactic ending.” — Robin
Lee, Romance Reviews Today (read the whole
review)
:: “Diane Gaston’s
voice is rich in emotion and detail.The Vanishing
Viscountess is
intense and dramatic; it’s full of romance and well developed characters.
Quite an enjoyable read.” — Connie
Payne, Once Upon a Romance (read the whole
review)
